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书法与国画的关系一方面是因为两者在工具材料上相同,特别是毛笔这一特殊的工具,其执、运的方法也是基本一致,更重要的是关于用笔的要求,在古代以中锋为上的一些基本规范均为书法和水墨画所秉持。所以,唐·张彦远说『书画异名而同体』,而在赵孟頫看来,『石如飞白木如籀,写竹还应八法通。若也有人能会此,须知书画本来同。』显然,这样的关系是不需要太多的论证的。可以简单一点说,从宋徽宗开始,赵孟
On the one hand, the relationship between calligraphy and traditional Chinese painting is because the two are the same in tool materials, especially the special tool of writing brush. The methods of execution and transportation are basically the same. More importantly, For some of the basic norms are calligraphy and ink painting uphold. Therefore, Tang Zhang Yan-yuan said “calligraphy is different from the same body,” but in Zhao Mengfu’s view, "Shi Ruofei Ba Muru, write bamboo should be eight methods. If some people can do this, it is necessary to know that calligraphy and painting are the same. Obviously, such a relationship does not require too much argument. Can be simple to say, starting from Huizong Song, Zhao Meng