“动”“静”相谐 独成一境——王维山水诗浅谈

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“词以境界为最上,有境界则自成高格,自有名句”(王国维语)。大凡有作品传世之诗人词人,都各有自家之内在精神,笔下也当各有自家境界凸现。王维在艺术上有别于其他诗人的最突出的特点,就是其山水诗中动静相衬而产生意境之美。 在王维前期作品中,已开始注意到以静衬动的艺术辩证法的运用。在其著称的山水诗中,“静”表现得更为充分。诗人对以动衬静、静中有动的艺术辩证法运用得老道熟成,炉火纯青。诗中发自“象外之趣”而又摇曳多姿的静美之境,表现出了对自然景物独特的情趣和意蕴。王维山水诗中的“动”与“静”,具有其特定的审美价值。 “Words to the realm of the highest, there are realm of self-Gaoge, own famous” (Wang language). There are poets and Ci poets handed down from their works. All of them have their own internal spirit, and their works also have their own realm. What distinguishes Wang Wei from other poets in art is the beauty of artistic conception produced by his landscape poetry. In Wang Wei’s previous works, he has begun to notice the application of the art of dialectics which is based on static lines. In his famous landscape poetry, “static” is more fully demonstrated. The poet is well versed in using the art of dialectics that move in silence and move in a static way. Poetry from the “outside the fun” and swaying the scene of the static beauty, showing a unique nature of the nature of the taste and meaning. The “moving” and “static” in Wang Wei’s landscape poems have their specific aesthetic value.
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