在中国戏曲的历史发展中,“姑娘腔”作为地方“乱弹”声腔之一,自明万历以来,多次出现于传奇剧本之中。在中国民间的宗教祭祀活动中,“姑娘腔”又是山东巫傩仪式以及与之有渊源关系的其他省份巫傩仪式的重要音乐形式。故而,有关这一论题的研究,既为戏曲史研究领域所关注,亦有民间宗教祭祀领域的考察。其中某些观点与结论甚至引起了学术界的商榷与争 In the historical development of Chinese opera, as one of the local “Luanbu ” voices, “girl ” cavity, since the Wanli, appeared many times in the legendary script. In Chinese folk religious sacrificial activities, the “girl’s chamber” is an important musical form of the witch worship ceremonies in Shandong witch worship ceremonies and other provinces that are closely related to them. Therefore, the research on this subject is not only concerned about the field of drama history research, but also on the field of folk religious sacrifice. Some of these views and conclusions have even aroused debate and controversy in academia