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本文从中国传统美学出发,研究意象油画中的“虚”与“空”的理论根源,阐明其意味特征及其表现形式,及其在意象油画中的审美价值作用,更是对中国传统文化的继承与发展。
Starting from the traditional Chinese aesthetics, this paper studies the theoretical roots of the “imaginary ” and “null ” in oil painting, clarifies its meaning and its manifestations, and its aesthetic value in imagery painting. Inheritance and Development of Chinese Traditional Culture.