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北京迎春联合演出的十几台好戏中,特别引起观众和戏剧界瞩目的有三台。这倒不是说这三台演出是完美无缺的,而是它们的某些艺术现象迫使戏剧界思索:为什么同一台《狗儿爷涅槃》竟会受到持有各种艺术主张的同行们的赞美?无论是坚持传统戏剧观念抑或立意探索、创新的一些同志,都异口同声地认为《狗》剧所呈现出来的艺术魅力,正是自己追求的艺术理想!话剧《凯旋在子夜》出现了与“再现的艺术”迥然相异的艺术美,它的艺术特征和艺术价值究竟如何?《初恋时,我们不懂爱情》,一个答非所问的剧本,在不同层次的青年观众中均获得强烈的反响,它触动了青年观众的哪根神经?这三台演出引起人们思索的内容,在今天是极有意义的,都为戏剧二度创作的发展增添了新财富,它们有如脱壳蝉儿的鸣叫,
Beijing Spring Festival co-star performance of more than a dozen sets, in particular, attracted the attention of the audience and theater three. This does not mean that the three shows are perfect, but that some of their artistic phenomena are forcing the theater to think about why the same “dog Nirvana” would be complimented by fellow artists with various artistic ideas. Some comrades who insist on the concept of traditional drama or try to explore and innovate all think that the artistic charm presented by the “Dog” drama is precisely the artistic ideal that they pursue. The drama “Triumph at Midnight” Artistic “very different artistic beauty, its artistic characteristics and artistic value?” First love, we do not understand love, "a non-questioning script, at different levels of young audiences have received a strong response, it touches the What is the nerve of the young audience? These three performances arouse people’s thinking content, which is of great significance today. Both add new wealth to the development of the second dramatic creation. They are like tweeting,