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清代中期,桐城人姚鼐编选了《古文辞类纂》一书,辑录战国至清代的经典散文作品,以“义理、考据、辞章”兼具为旨归,体现了清代最大的散文流派——“桐城派”的观点。该书纂成于乾隆四十四年(1779),分古文十三类,共七百多篇,一度颇为流行,成为后代人学习古文的传世范本。受其影响,清代先后出现了若干部重要的古文选本,如王先谦的《续古文辞类纂》、曾国藩的《经史百家杂钞》、黎庶昌《续古文辞类纂》,以及蒋瑞藻《新古文辞类纂》等,或补或续,无不以《古
In the middle of the Qing Dynasty, Yao Cheng, a Tongcheng artist, compiled the classic edition of ancient Chinese ci poems and compiled classic prose works from the Warring States Period to the Qing Dynasty. Taking both the principle of “justification, textual research, and censorship” Prose genre - “Tongcheng school ” point of view. The book was compiled in forty-four years of Qianlong (1779), points in ancient Chinese thirteen categories, a total of more than seven hundred articles, was quite popular, become a model for future generations to learn ancient prose. Influenced by this, a number of important anthologies such as Wang Xianqian’s “The Collection of Ancient Chinese Cultures”, the “Classic 100 Varieties” by Zeng Guofan and the “Collection of Ancient Clerical Classes” by Li Shuchang have appeared in the Qing Dynasty, Jiang Zhai algae “new ancient dictionaries compilation”, etc., or make up or continued, all with "ancient