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文人画是中国传统绘画的重要流派,提到中国悠久的绘画文化,并能将文化与绘画技巧完美结合的,那么就必须首推文人画。文人画称谓的最早提出者是明代的董其昌,其曰:“文人之画,自王右丞始,其后董源、巨然、李成、范宽为嫡子。王晋卿、米南宫及虎儿,皆从董、巨得来,直至元四家黄子久、王叔明、倪元琳、吴仲杰,皆其正传。吾朝文、沈,则有远接衣钵。”文人画历史久远,且源远流长,董老对于文人画概念的表述从另一个层面而言,则又是中国文人画的发展历史演变进程,各大家衣钵相承却又继往开来。悠久幽远的文人画发展历程,不仅是绘画技术
Literati painting is an important genre of traditional Chinese painting. When it comes to the long history of Chinese painting and the perfect combination of culture and painting techniques, literati painting must be the most important. The earliest propriety of the literati painting title was Dong Qichang in the Ming Dynasty, which said: “The painting of the literati, from Wang Cheng prime minister, then Dong Yuan, Ju Ran, Li Cheng, Fan Kuan is prickly heat.Jin Wang, Minan Palace and Tiger, all from Dong , Huge to come, until the Yuan four Huang Zi, Wang Shu-ming, Ni Yuanlin, Wu Zhongjie, all its prequel .Wu Chaowen, Shen, then there is a distant mantle. ”The literati painting has a long history and has a long history, From another level of expression, it is the historical evolution of the development of Chinese literati painting. All of them inherit the same style but continue from the past to the present. The long and fantastic literati painting history is not only a painting technique