在一个阳光明媚姹紫千红的初夏季节,我团领导为了拓宽我的戏路,重点培养我的一专多能,交给了我一项重要的任务,那就是排练《坐楼杀惜》。我查阅了大量有关《坐楼杀惜》的资料,观摩了中国京剧院及上海京剧院的实况演出录像,又在我团导演吴建林、杨玉斌老师的指导帮助下,全面分析了“阎惜娇”的出身背景,以及在这一折中心理活动的层次变化,由浅至深,为剧中“阎惜娇”做了一个详细准确的定位。 In a bright sunny early summer season, I regiment leaders in order to broaden my play, focusing on training my one skill, gave me an important task, that is, rehearsal “sitting on the floor to kill.” I consulted a lot about the information on “Sit Shalom”, watched the live performance video of the Peking Opera Theater and Shanghai Peking Opera Theater, and under the guidance and guidance of our director Wu Jianlin and Yang Yubin, I fully analyzed “Yan Xijiao” Background, as well as changes in the level of psychological activity in this compromise, from shallow to deep, for the play “Yan Xiu Jiao ” made a detailed and accurate positioning.