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广元石窟是巴蜀地区的重要佛教艺术的遗存,它从北魏年间就已经有佛教的活动,特别是其中的千佛崖石窟与巴蜀地区的另一处佛教艺术——大足石刻更是中国佛教造像艺术史上的丰碑之一,从艺术风格来看,广元石窟中的诸神形象如文殊菩萨、观音、地藏王等都十分具有特色,可以说融合了西域、藏地、中原内地的特点于一体。尤其是其中的密教造像艺术,虽然在广元石窟中密教造像较少,但其中的暗藏信息并不少,值得去深入研究探讨。本文着重在对广元石窟群中的密教造像形象进行分析。
Guangyuan Grottoes, as the remains of important Buddhist art in Bashu area, already had Buddhist activities during the Northern Wei Dynasty. In particular, Buddhism art in Qianfoya Grottoes and Bashu area - Dazu Rock Carvings is also the art of Chinese Buddhist statues One of the historical monuments, from an artistic point of view, the gods in the Guangyuan Grottoes such as Manjusri, Guanyin and Ksitigarbha are all very distinctive. They can be said to combine the characteristics of the Western Regions, the Tibetan lands and the Central Plains. In particular, the art of Cultures in Mianyang, although less dense in the Guangyuan Grottoes, but the hidden information is not less, it is worth going to in-depth study. This article focuses on the analysis of the images of Miraculous statues in the Guangyuan Grottoes.