康有为善书,走的是碑帖互融之道,而其书论《广艺舟双楫》多被视为尊碑抑帖之作,有尊碑,抑帖,卑唐之论。从之者视其集碑学之大成,贬之者多责其过激之论,无论褒贬,以尊碑,抑帖,卑唐论之,此不但有失片面,更重要的是断章取义,有违康氏之旨。在康氏的书论中,尊碑乃为求变,而变所指向的是碑帖互融之道,这与其书法实践是一致的,甚至开启 Kang Youwei book, take the road is the integration of rubbings, and his book “wide art boat double 楫” is regarded as respect the monument for the suppression of posts, there are respect monument, suppression postscript, the theory of humble. From the point of view of its collection of the great achievements of the science of discourse, derogatory who blame their overreaching theory, regardless of the merits and demerits, with respect to the monument, the suppression of posts, abettang theory, which not only has a loss of one side, more importantly, out of context, contrary Kang’s purpose. In Kang’s theory of the book, respect for the monument is to change, and change is directed at the integration of rubrics, this is consistent with its calligraphy practice, and even open