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前年,北京天桥剧场向社会征集20世纪50至80年代在该剧场演出的节目单。我检点了自己珍藏多年的节目单,意外发现了曾于60年代、70年代、80年代多次在天桥剧场演出的歌剧和舞剧《百毛女》的节目单等。这些节目单引起我半个世纪的回忆。 五十年前,《白毛女》的故事家喻户晓,“北风吹”的歌声耳熟能详。1949年时,我刚上初中。有一次,学校开新年晚会,高年级的同学演出的节目就是歌剧《白毛女》的第一幕。这场戏,有喜儿、杨白劳的独唱、对唱,还有和赵大叔、王大婶、王大春的齐唱;“欢欢喜喜过个年”,气氛比较适合庆贺新年,更适合庆祝解放的欢乐心情。对于我来说,这是第一次接触革命新文艺,但
Two years ago, Beijing Skywalk Theater solicited social programs from the 1950s and 1980s in this theater. I checked my list of programs that I had collected for many years and accidentally found the programs of opera and ballet “Hundred Baldas” that were performed many times at the bridge theater in the 60s, 70s, and 80s. These shows aroused my half a century of memories. Fifty years ago, the story of “White-Haired Girl” became known to everybody. In 1949, I was in junior high school. Once, the school opened the New Year party, high school classmates performance program is the opera “White-Haired Girl” in the first act. There was Xi’er, solo and duet of Yang Bailao, and singing together with Uncle Zhao, Aunt Wang, and Wang Dachun. “Celebrating a year with joy,” the atmosphere is more suitable for celebrating the New Year and is more suitable for celebrating the happy mood of liberation. For me, this is the first time that I have come into contact with revolutionary new literature and art, however