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《论素朴的诗与感伤的诗》是席勒美学思想中历史主义观点、立场、方法的具体表现,它形成了席勒美学思想中与众不同、独树一帜的文学发展论。席勒从人性的自然性及其回归的“正-反-合”辩证发展过程来审视西方文学艺术,揭示了西方文学艺术的发展轨迹:从古代素朴的诗,发展到近代感伤的诗,再到素朴的诗与感伤的诗的结合,即理想的诗。就是在这种理想化、想象性乌托邦的历史主义观点和方法指导下,席勒从人性和心理的角度分析了文学发展模式的对立统一规律:从现实主义者和理想主义者人性的二元对立,再到二者相结合和相统一就可以达到人性的完整,也就可以达到素朴的诗与感伤的诗相结合的“理想的诗”。
Scholarly poems and sentimental poems are the concrete manifestation of the historical viewpoints, positions and methods in Schiller’s aesthetic thoughts. They form a distinctive and unique theory of literary development in Schiller’s aesthetic thoughts. Schiller examined the western literature and art from the natural nature of human nature and its “positive-negative-co-integration” dialectical development process, and revealed the development track of western literature and art: from ancient plain poems to modern sentimental poems , To the combination of plain poems and sentimental poems, that is, ideal poems. Under the guidance of this idealistic and imaginative Utopian historicist view and method, Schiller analyzed the law of unity of opposites of the mode of literature development from the perspective of human nature and psychology: from the dichotomy of human nature between realists and idealists , Then to the combination of the two and can achieve the integrity of humanity, also can achieve simple poems and sentimental poems “ideal poem ”.