作为北京人艺派的传人导演,李六乙的导演创新工作是值得关注的。他所继承的是从20世纪50年代以来焦菊隐便开始的表演身体民族化的文化工程。焦菊隐一辈,在一片荒土上,从戏曲传统,北京民间演艺传统,还有想象的史坦尼系统(史坦尼体系在孙维世从苏联返国之前从未正式进入中国),杂糅实验,多年以后便出现了所谓的北京人艺系统。80年代起,在新的西方戏剧美学进入以后,北 As a successor director of Beijin Art School, Li Liuyi’s director innovation is worth attention. What he inherits is the cultural project of performing nationalization of the body since Jiao Juyin began his practice in the 1950s. Jiao Ju hidden one generation, on a desert land, from the traditional opera, Beijing folk performing arts tradition, as well as Stanley system imagined (Stanley system before Sun Weishi returned from the Soviet Union never formally entered China), mixing experiments, many years later There has been the so-called Beijing art system. Since the 1980s, after the arrival of new western theater aesthetics, North