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全景画的产生至今已有200余年的历史,纵观不同时期的全景画创作,无论是景观题材,还是历史及战争题材都具有很强的叙事性。“叙事学”作为一门学科是20世纪60年代在法国结构主义思潮的大背景下产生的,正如电影的叙事美学是从小说叙事美学借鉴、衍变、发展而来的一种研究视角一样,全景画的美学叙事同样借鉴了小说、电影、戏剧等叙事美学的探索思路,本文试从全景画的叙事主题与叙事形态两个方面展开论述,兼及叙事的情节与结构,以此来共同论述全景画的创作及其发展。
Panorama has been produced for more than 200 years so far. Taking a panoramic view of panorama painting in different periods, both landscapes and historical and war themes are highly narrative. As a discipline, “narratology” was produced in the 1960s under the background of the French structuralism trend of thought. Just as the narrative aesthetics of the film is a research perspective derived from the narrative aesthetics of fiction, its development and evolution, The panoramic narrative aesthetics narration also draws on the fiction, film, drama and other narrative aesthetics of exploration ideas, this article try to narrate the theme of narrative and narrative form two aspects of the discussion, as well as narrative plot and structure, in order to jointly Discusses the Creation and Development of Panorama.