安德斯·佐恩是十九世纪瑞典现实主义画派的代表人物,他吸收了印象主义中的光、色关系,作品构图简洁,造型准确,色彩清朗。其中技法中尤其擅长不透明水粉,逆光表现尤为突出,在保持画面清新的同时增加画面的质感。本文以安德斯佐恩的生平为切入点,详细了解其水彩艺术的形式语言,整合其对中国水彩画的影响,从中得到启发。 Anders Zorn, a representative of the realist school of Swedish in the nineteenth century, absorbed the light and color relations in impressionism. His compositions are concise, accurate, and bright in color. Among them, the technique is especially good at opaque gouache, especially in backlighting, which adds texture to the picture while keeping the picture fresh. This article takes Anders Zun’s life as a starting point, to understand in detail the formal language of its watercolor art, and to integrate its influence on Chinese watercolor painting.