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历经风雨,饱受质疑,制造业名城东莞,自2007年提出建立“中国音乐剧基地”以来,已走过整整4年。4年间,东莞先后出品《蝶》《爱上邓丽君》《三毛流浪记》《王牌游戏》《钢的琴》5部音乐剧,举办了两届音乐剧节,演出音乐剧上百场。从一无所知到城乡共赏,从舶来加工到试图原创,音乐剧已与东莞地域相融。在倡导文化繁荣又茫然于产业之路的当下背景之中,这不可思议的音乐剧“东莞模式”具有着充分考量的价值。
After stormy, challenged, the manufacturing city of Dongguan, since 2007 proposed the establishment of “Chinese musical base”, has gone through a full four years. In the past 4 years, Dongguan has successively produced 5 musicals including “Butterfly”, “Teresa Teng”, “Sanmao Wandering”, “Ace Game” and “Steel Piano”, held two musical festivals and performed hundreds of musical performances. From ignorance to a total of urban and rural areas from the ship to try to create the original, the musical has been blending with the Dongguan area. This incredible musical, “Dongguan Model,” has a well-thought-out value in advocating a culturally prosperous and loss-making backdrop to the industry.