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近年来,以动作奇观、场面奇观、速度奇观、习俗奇观和身体奇观构成的电影奇观化冲击着中国电影观众的视野,奇观电影的艺术文本形式得到了极大发展。视听效果带来的感官刺激满足了人们的“狂欢”欲望,大场面和商业化的故事为影片赢得了票房。在喧哗、非理性、无深度的后现代美学观日益深入人心的语境下,在充满了物欲和快感的消费社会时代背景下,奇观电影的迅猛发展似乎是可以理解的。但是这一艺术形式损失了艺术作品的意境的产生,带来了受众审美过程的不完整,在美学上的缺失值得我们深入反思和分析。
In recent years, the spectacle of Chinese moviegoers has won tremendous development in the spectacle of spectacle films based on spectacle of spectacle consisting of wonders of spectacle, wonders of spectacle, spectacle of spectacle of speed, spectacle of spectacle of custom and spectacle of body. Sensory stimulation of audio-visual effects to meet people’s “carnival” desire, big scenes and commercial stories won the box office for the film. Under the increasingly popular background of noisy, irrational and deep postmodern aesthetics, under the background of consumerism society full of materialism and pleasure, the rapid development of spectacle movies seems to be understandable. However, this artistic form has lost the artistic conception of the artwork, which has brought the audience’s aesthetic process incomplete, and the lack of aesthetics deserves our in-depth reflection and analysis.