“新民谣”于2000年走入流行乐坛的视野,至今已经17年之久,它从最初发迹于狭小的圈子到现在成为一种流行,是很多因素共同作用的结果。其中它所具有的一种“南北”意识在近两年更是蔚然成风,但是“新民谣”中对南方和北方的唱词,前人并没有给出太多的关注和理解。这种“南北”意识的形成有其深层的历史和当下的原因,并且和“新民谣”自身的精神内涵有不可分的关联。本文就“新民谣”所具备的“南北”意识的表现方式以及其形成的原因给出简要的分析,并从它所具备的先锋性和危机感去进一步思考“新民谣”在当下所蕴含的理念和其存在的合理性。 “New Ballad ” entered the pop music field of vision in 2000, it has been 17 years old, from the initial fortune in the narrow circle has now become a popular, is the result of many factors together. The “North-South” awareness it possesses has become more commonplace in the last two years, but its predecessors have not given too much attention and understanding in the lyrics of “New Folk Songs” in the South and the North. The formation of this kind of “North and South” consciousness has its own deep history and current reasons, and is inextricably linked with the spiritual content of “New Ballad” itself. This article gives a brief analysis of the manifestations of the “North-South ” consciousness possessed by “New Ballads” and the reasons for its formation, and further ponders over the “pioneer” and “ ”The concept of the moment and the rationality of its existence.