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前言广州作为中国南方最早的口岸城市,以其开放性、商业性特质,孕育了丰富而多元的南国红豆——粤剧,也催生了与广府茶楼相结合的音乐商业实体——粤曲茶座。作为一种边喝茶边听粤曲的消遣方式,粤曲茶座从清朝同治年间就出现在广州西关,到现在已经有100多年的历史。据资料记载,粤曲茶座的表演一度非常的火爆,在20世纪二十年代至四十年代间后,广州大概有40间茶楼设歌坛供艺人们表演,还吸引了像熊飞影、张月儿、小明星、何丽芳、关楚梅等知名曲艺艺人常来参加演出。1正是这样一种独具广府特色的艺术形式如今正面临着危机。在经
Preface As the earliest port city in south China, Guangzhou, with its openness and commercial characteristics, gave birth to the rich and diverse southern red bean - Cantonese opera. It also gave birth to the Cantonese opera telecast, a commercial music business combining with Guangfu restaurant. As a recreational way to enjoy Cantonese opera while drinking tea, Cantonese opera tequila emerged from the west of Guangzhou during the Tongzhi period of the Qing Dynasty. Now it has a history of more than 100 years. According to the records, Cantonese opera performances were very popular. From the 1920s to the 1940s, about 40 restaurants in Guangzhou set up music venues for the performing arts, attracting artists like Xiong Fei Ying, Zhang Yue Er and Xiao Ming Xing , He Lifang, Guan Chumei and other well-known musicians often come to perform. 1 It is just such a form of art unique to the Canton government that is now facing a crisis. After