毛泽东的文艺美学思想,最集中的体现于《在延安文艺座谈会上的讲话》这篇光辉文献中,他对文艺的本质与功能, 文艺与生活的关系,文艺家的修养,文艺的古今关系,以及文艺批评等重要问题,从美学的高度进行了精辟的论述。这是毛泽东文艺美学的“总论”。对此,学术界已进行了长期地、多方面地研讨,发表了难以计数的专著与论文。但是,关于毛泽东文艺美学思想的“分论”研究,即关于各门艺术如诗、小说、杂文、戏剧,美术、书法等方面的理论 Mao Zedong’s literary aesthetics thought is most concentrated in the glorious literature of “Speech at Yan’an Literature and Art Symposium”. His relationship between the essence and function of literature and art, the relationship between literature and art, the accomplishment of literary artists and the literature and art , As well as critical issues such as literary criticism, a brilliant exposition from the height of aesthetics. This is “General Theory” of Mao Zedong Literary Aesthetics. In this regard, the academic community has conducted long-term, multi-faceted discussions and published hard-to-count monographs and dissertations. However, the study of Mao Zedong’s thought of literary aesthetics and aesthetics, that is, the theory of poetry, novels, essays, drama, art and calligraphy