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作为一门综合性和群众性艺术的合唱,在一定程度上体现了国家和民族的文明精神建设程度,同时也是文化价值的缩影,而我国合唱艺术历经坎坷,经过不懈的普及和发展,逐步进入繁荣期。但是不可否认,我国关于合唱艺术理论著作与实践有一定的差距,亟需有待跟进和加强。有鉴于此,本文以手势语言为论述对象,重点对手指、手腕、手掌语言、小臂与大臂语言及其松紧、动静关系作出阐述。
As a comprehensive and mass art chorus, to a certain extent, embodies the national and national level of civilization and spiritual civilization, but also a microcosm of cultural values, and our chorus art through ups and downs, through unremitting popularization and development, and gradually enter Prosperous period. However, it is undeniable that there is a certain gap between our country’s theory and practice of chorus art, which needs to be followed up and strengthened. In view of this, this article takes the gestural language as the object of discussion, focusing on the language of the fingers, wrists and palms, the language of the arm and the arm, and the relationship between the elastic and the movement.