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在我国新文学史上,郭沫若虽以诗人著称,而其散文创作也极有成绩。与发表新诗差不多同时,郭沫若也开始发表散文,终其一生,从抒情散文到叙事散文,从短小精悍的杂感到宏篇巨制的回忆录,数量之多,不仅在郭沫若自身的创作中占有相当的分量,就是在我国现代作家中也是不多见的。与诗歌、历史剧一样,郭沫若的散文也具有独特的风格。关于这一点,徐迟同志曾指出:“郭老的散文,气势浩荡,而浩荡之中,又不失其清丽和缠绵。我们的散文中,有一种缠绵的风格,郭老是其首创者。但细看时缠绵得很,吟味起来却感到境界甚高,但也有着和我们当代的历史不可分割的特点。”(《说散文》,《长江文艺》1962年第4
In the history of China’s new literature, Guo Moruo is known for his poet, and his prose creation is also very successful. At about the same time as the publication of the new poem, Guo Moruo began to publish prose. From his lyrical prose to narrative prose, he learned from the short and simplistic miscellaneous and melodic memoirs, the number of which amounted to not only occupies considerable weight in Guo Moruo’s own creations. It is rare in modern Chinese writers. Like poetry and historical drama, Guo Moruo’s essays also have a unique style. Regarding this point, Comrade Xu Chi once pointed out: “The old prose of Guo Lao is a mighty and vigorous man, but it is still in its might and lingering. Yet in our prose, there is a lingering style. Guo Lao is its initiator. However, when I look closely, I feel very energetic, but I feel very real, but it also has an inseparable character from our contemporary history.” (“Say Prose”, “Changjiang Literature and Art”, 4th, 1962