浮华背后的落寞,富裕背后的空虚,电影中任何的运动形式都要依靠着影视的空间所存在的。而安东尼奥尼作为意大利著名的电影大师,其在电影空间建构方面更是卓文不群。一、物质空间物质空间即电影中人物的生存空间与活动空间。在《红色沙漠》,导演通过不同的方式体现出工业化物质空间的嘈杂与冷漠。通过人物的空间安排感知空间在《红色沙漠》中,导演安东尼奥尼为了显示工业社会中人与人之间难以沟通的冷漠与隔阂,人与建筑物之间 The lonely behind the flashy, wealth behind the emptiness, any form of motion in the movie depends on the existence of space for film and television. And Antonioni as the famous Italian film master, it is even more outstanding in the construction of film space. First, the material space Material space that is the movie’s living space and activity space. In “Red Desert”, the director reflects the noisy and indifferent of the industrialized material space through different ways. Perceiving space through the spatial arrangements of characters In the “Red Desert,” director Antonioni shows the indifference and estrangement of hard-to-reach people in industrial society, and between people and buildings