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底层文学是近年文坛上出现的一股新的潮流,无论是在现实主义的继承与开掘方面,还是对于底层生活的苦难叙述及其美学阐释方面都进行了一种新的探索和尝试,也使得这一文学类别呈现出别样的色彩。正如批评家李云雷所言,当前的底层文学蕴含着一种“新的美学原则”的可能性,这种美学原则是中国的而不是西方的,是人民大众的,而不是精英的,是容纳了各种创作方法而不只是现代主义的。①我们通过对底层文学一些代表作品的分析可以发现,底层文学中这种新的美学原则方面的确立主要体现在以下两个方而。
The underlying literature is a new trend that has emerged in the literary world in recent years. A new exploration and attempt have been made both in the aspects of the succession and excavation of realism, the misery narration of the underlying life and its aesthetic interpretation, This literary category presents a different kind of color. As the critic Li Yunlei said, the current underlying literature contains the possibility of a “new aesthetic principle,” which is not only the Chinese but not the Western, the popular, not the elite, and Contains a variety of creative methods rather than just modernism. ① Through the analysis of some representative works of the underlying literature, we can see that the establishment of this new aesthetic principle in the underlying literature is mainly reflected in the following two aspects.