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半个多世纪以来,中国的美学虽然经历了几个大的发展阶段,特别是在新中国成立以后的五、六十年代及八十年代,但其发展前景却不容过分乐观,要使中国美学真正走向现代化,必须具备以下前提条件:一、科学技术的进步我们知道,在古代和中世纪,技术和艺术本是相通的。古希腊人所称的“特克奈”(tek-hne)一词,便既指工业、农业、医药、骑射、烹饪,又指音乐、雕塑、绘画、诗歌等等。从人类物质生产与精神生产发生分离以来,人的统一的造美与审美活动分成了相互联系、又各有区分的两大领域:即物质生产与精神生产领域。但归根结蒂,美的本质离不开人的本质,美的存在离不开人类的社会实践,美和人们审美意识的发展也离不开以物质生产实践为基础的人类文明的发展。任何历史时期,物质生活中的造美与审美活动都是人类最基本
For more than half a century, although China’s aesthetics has undergone several major stages of development, especially in the 1950s, 1960s and 1980s after the founding of new China, its development prospect can not be overly optimistic. It is necessary for China’s aesthetics To truly go to modernization, we must have the following prerequisites: First, the progress of science and technology We know that in the ancient and medieval times, technology and art were basically the same. The term “tek-hne” as used by the ancient Greeks refers to industry, agriculture, medicine, riding and cooking as well as music, sculpture, painting, poetry and so on. Since the separation of human material production from spiritual production, the unity of man’s beauty and aesthetic activities has been divided into two major areas that are interrelated and differentiated: material production and spiritual production. But in the final analysis, the essence of beauty can not be separated from the essence of human beings. The existence of beauty can not be separated from the social practice of mankind. The development of aesthetic awareness of the United States and people can not be separated from the development of human civilization based on material production practice. In any historical period, creating beauty and aesthetic activities in material life are the most basic human beings