回顾设计发展的历史,任何一种反叛精神都有可能成为推动设计发展的积极力量。如在工业革命之前,设计离不开传统手工艺。而当工业革命兴起,机械化生产以反传统方式代替手工劳作时,虽然遭到拉斯金、莫里斯等设计家的极力反对,但机械化生产还是不可避免地得到认可和发展。包豪斯所倡导的功能第一、机械美学成了现代设计的准则,并通过米斯“少则多”的设计思想影响了全世界,但当这种设计思想在商业利益驱使下,发展成为单调统一的 Recalling the history of design development, any kind of rebellious spirit may become a positive force to promote the design and development. As before the industrial revolution, the design can not be separated from the traditional arts and crafts. When the industrial revolution started up and mechanized production replaced the manual work in the anti-traditional way, though it was strongly opposed by designers like Raskin and Morris, mechanized production was still inevitably recognized and developed. Bauhaus advocated the first function, mechanical aesthetics has become the norm of modern design, and through the Meis “as much ” design ideas affect the world, but when this design idea driven by commercial interests, Develop into monotonous unity