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摘要：本文简要介绍了英国著名意识流女作家家弗吉利亚．伍尔芙的生平并探讨她的两部作品中“蜗牛”的艺术作用。
关键词：艺术作用；蜗牛；意识流
In 1882, Virgina Woolf was bern into one of England'smost distinguished literary families. Her father was an edi-tor, a critic, biographer and a man who moved in the bestVictorian literary circles. With the vigorous intellectual fami-ly atmosphere, she was brought up and educated at home.She had no partner but loneliness and her father,s books. Shehad no chance to pick up all that goes in school.
In 1895, after the unexpected death of her mother, Vir-ginia suffered her first mental breakdown.
Nine years la~er, she suffered her second hreakdux~ af-ter her father s death and tried to commit suicide.
Ater that she moves with her sister and two brothers in-to Bloomsbury. Their house became central to activities ofthe Bloomsbury group.
From 1905 Virgins Woolf began to write for the TimeLiterary Supplement.
In 1912 she married the political theorist LeonardWoolf. In 1915 her first novel The Voyage Out was pub-lished. It was considered a revolutionary as they pioneeredliterarv modernism.
In 1914, she euded her llfe by suicide by falling herpocket with stones and drowned herself in the river near herhome.
Recognized as one of the major figures of modero litera-ture, Virginia Woolf is highly regarded beth for her innova-tive fiction techniques and insightful contributions to hterarycriticism. In her short fiction Woolf typically focused on mi-nute physical detail and experimented with stream - of- can-sciousness techniques, interior monologne, and symbolism tocapture the subjective workings of human thought.
Kew Gardens" typifies her lyrical portrayal of variednarrative perspectives through tim interior monologue of anomniscient narrator. In this scemingly plotless story, Woolfcreates the atmosphere of an afternoon at Londan's Kew Gar-dens by fusing the shifting points of view of several peoplewith those of a snail, insects, flowers, and even such inani-mate objects as buses and airplanes.
In "Mark on the Wall" she employs interior monologueto impart the musings of a narrator who, in speculating abouta small detail on a wall, ponders a variety of topics, inclu-ding person-,d reminiscence, history, and nature. Every ru-mination returns to the mark only to stray anew into reverie,as each of the narrator "s seemingly meandering thoughtsbuilds upon one another to create an intricate discourse onthe rmture of reality and truth.
"Ah, the mark on the wall! It was a, snarl. " ". Herewe have a story which is almost totally without incident, butwhich... " add Woolf. Assigning a name brings closure in aworld, in which the importance of the mark is to be seen. Iread "Solid Objects'as Woolf's discrimination of the two sen-ses.
In Woolf's two stories, the natural world showed thebrevity and relative insignificance of the human lives; herstory of the snail trying to get past the leaf seemed just as im-portant as anything happening in the peoples lives.
关键词：艺术作用；蜗牛；意识流
In 1882, Virgina Woolf was bern into one of England'smost distinguished literary families. Her father was an edi-tor, a critic, biographer and a man who moved in the bestVictorian literary circles. With the vigorous intellectual fami-ly atmosphere, she was brought up and educated at home.She had no partner but loneliness and her father,s books. Shehad no chance to pick up all that goes in school.
In 1895, after the unexpected death of her mother, Vir-ginia suffered her first mental breakdown.
Nine years la~er, she suffered her second hreakdux~ af-ter her father s death and tried to commit suicide.
Ater that she moves with her sister and two brothers in-to Bloomsbury. Their house became central to activities ofthe Bloomsbury group.
From 1905 Virgins Woolf began to write for the TimeLiterary Supplement.
In 1912 she married the political theorist LeonardWoolf. In 1915 her first novel The Voyage Out was pub-lished. It was considered a revolutionary as they pioneeredliterarv modernism.
In 1914, she euded her llfe by suicide by falling herpocket with stones and drowned herself in the river near herhome.
Recognized as one of the major figures of modero litera-ture, Virginia Woolf is highly regarded beth for her innova-tive fiction techniques and insightful contributions to hterarycriticism. In her short fiction Woolf typically focused on mi-nute physical detail and experimented with stream - of- can-sciousness techniques, interior monologne, and symbolism tocapture the subjective workings of human thought.
Kew Gardens" typifies her lyrical portrayal of variednarrative perspectives through tim interior monologue of anomniscient narrator. In this scemingly plotless story, Woolfcreates the atmosphere of an afternoon at Londan's Kew Gar-dens by fusing the shifting points of view of several peoplewith those of a snail, insects, flowers, and even such inani-mate objects as buses and airplanes.
In "Mark on the Wall" she employs interior monologueto impart the musings of a narrator who, in speculating abouta small detail on a wall, ponders a variety of topics, inclu-ding person-,d reminiscence, history, and nature. Every ru-mination returns to the mark only to stray anew into reverie,as each of the narrator "s seemingly meandering thoughtsbuilds upon one another to create an intricate discourse onthe rmture of reality and truth.
"Ah, the mark on the wall! It was a, snarl. " ". Herewe have a story which is almost totally without incident, butwhich... " add Woolf. Assigning a name brings closure in aworld, in which the importance of the mark is to be seen. Iread "Solid Objects'as Woolf's discrimination of the two sen-ses.
In Woolf's two stories, the natural world showed thebrevity and relative insignificance of the human lives; herstory of the snail trying to get past the leaf seemed just as im-portant as anything happening in the peoples lives.