文艺评论本来是可称作文艺批评的,但这些年来,批评这个词似乎完全贬义化了,所以我们更习惯于更加中性化的“文艺评论”了。这一变化隐含或者说折射了当前文艺评论的一个典型症状,就是评论者与被评论者共谋、默契,文艺评论蜕化为溢美泛滥、肉麻吹捧的文艺炒作、文艺表扬,这大概也可以算是消费时代的文化镜像之一。批评的锋芒消失了,文艺评论对于文艺作品的传播、护佑、引领的作用也自然消失,这一现象,在当下各艺术领域普遍存在,电视文艺领域亦然。这也是人们诟病当前文艺批评的 Literary criticism could have been called literary criticism, but over the years, the term of criticism seemed completely derogatory, so we are more accustomed to a more neutral “literary criticism.” This change implies or refrains from the typical symptom of current art criticism, that is, the commenters and commenters conspire with each other, the tacit agreement, the literary criticism degenerates into the overflowing beauty and exuberant, One of the cultural images of the consumer age. The critical edge of criticism disappears. The literary and art criticism naturally disappears in the dissemination and preservation of literary and artistic works. This phenomenon has prevailed in all art fields at present and is also true in the field of television and literature. This is also a criticism of the current literary criticism