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通过对一个民族的舞蹈艺术的审美特征的分析,可以看出一个民族的审美意识发展的轨迹。汉民族与其它少数民族相比,是一个少舞蹈的民族,其民间秧歌舞可算是迄今仍然活在民间的汉民族舞蹈的代表。所以,通过对汉民族秧歌舞的分析,可以看到汉民族审美意识的变化。就艺术发展而言,现代审美意识,是最接近艺术本质的现代追求。艺术的本质就是人的本质表现,人是艺术的中心,人是艺术表现的目的,艺术是人类生命最璀璨的花朵。人从与自然一体的混沌中苏醒,恰如人从黑暗的专制之下觉醒,所以说,回到和重新发现人本身——这寻根的逆向追求,是最具艺术的现代意义。通过对汉族秧歌舞蹈所具有的现代审美意识特征的分析,我们可以加深对这种意义的理解。
Through the analysis of the aesthetic characteristics of the dance art of a nation, we can see the trace of the development of a nation’s aesthetic awareness. Compared with other ethnic minorities, the Han nationality is a minority dance nation whose folk Yangko dancing can be regarded as the representative of the Han nationality dance still living in the folk. Therefore, through the analysis of the Han nationality Yangko dance, we can see the changes of the aesthetic awareness of the Han nationality. In terms of artistic development, the modern aesthetic awareness is the modern pursuit that is closest to the essence of art. The essence of art is the essence of man, man is the center of art, man is the object of artistic expression, art is the most brilliant flower of human life. The awakening of one from the chaos of nature, just as one awakens from the dictatorship of darkness, means that returning and rediscovering the person itself - the reverse pursuit of this root-seeking is the most artistic modern significance. Through the analysis of the characteristics of the modern aesthetic awareness of Han Yangge dance, we can deepen the understanding of this meaning.