作为学科取域与定位,一般自认为,旨在建构:音乐美学人文学现象论,音乐文化人类学本体论,音乐哲学人本学存在论,以及对当代音乐文化及其历史的关注。其中,将音乐美学人文学现象论与音乐文化人类学本体论,作为两个互向平行的范畴,最后整合在音乐哲学人本学存在论的论域之中。其哲学基础为自创者“唯人主义”。具体 As a subject to take the domain and positioning, the general view that the purpose is to construct: the theory of music aesthetics of humanities, music and cultural anthropology ontology, philosophy of human nature of music philosophy, as well as contemporary music culture and its history. Among them, the music aesthetics of the humanistic phenomenology and music anthropology of anthropology as two parallel categories, and finally integrated in the philosophical humanist theory of Ontology. Its philosophical basis for its own creators “only”. specific