《水浒传》塑造了108位英雄好汉的形象,是一部英雄传奇。在这个以男性英雄为主导的世界里,作者用描写男性英雄的手法和语言塑造女英雄,使作为正面形象出现的她们丧失了作为女性应有的正常美,成为了衬托男性主体的木偶。本文围绕小说中三个男性化女英雄,结合荣格的阿尼姆斯原型分析《水浒传》中审美错位的女性形象。 “Water Margin” shaped the image of 108 hero hero, is a heroic legend. In this world dominated by male heroes, the author shapes the heroines with descriptions of male heroes and makes them appear as positive images and lose their normal beauty as women, thus becoming the puppets that bring out male subjects. This article focuses on the three masculine female heroes in the novel and analyzes the female images of the aesthetic dislocation in “Outlaws of the Marsh” with the Arnhem Archetype of Jung.