杨春武专用望远、微距、接圈、近摄皮腔等器材,突出、放大被摄体的局部:独目、单手、背脊、铁门、搭钩、绞链、草叶、木纹、锯末、飞旋的水涡、阳光中闪烁的雨滴、玻璃窗上结出的冰凌花。杨春武精细、准确、沉着地对局限性进行着创造。他向我们传达了“局部和断片的见闻就是宇宙的象征”(爱德华·威士顿)这一思想。他的作品让人想起美国画家安德鲁·怀斯。怀斯小心地勾勒着自然的细部,巧妙地变动着它们的比例,于是,就有一种怪异的跳跃在既孤立又散碎的自然物中出现。杨春武的微距局部摹写也有类似效果。 Yang Chunwu special telescope, macro, then ring, close-up skin cavity and other equipment, highlighting, enlarge the subject of the local: single, single hand, spine, iron door, hook, hinge, grass blades, Sawdust, swirling water vortex, flashing raindrops in the sun, glazed flowers on the window. Yang Chunwu fine, accurate and calm to create the limitations. He conveyed to us the idea that “local and fragment knowledge is the symbol of the universe” (Edward Weston). His work is reminiscent of American painter Andrew Wise. Wise carefully sketched the details of nature, skillfully changed their proportions, so there was a strange jump in the natural things that are both isolated and scattered. Yang Chunwu macro local copy also have similar effects.