一中国现代戏剧的“两度西潮”这个概念最早是台湾戏剧家马森先生提出来并进行了深入的论述[1],现在已基本上被学界所接受。戏剧史家董健先生对“两度西潮”不仅有精彩的概括,而且对其同与异有精辟的分析:第一度“西潮”发生在20世纪初“五四”新文化运动前前后后的二十多年间。这次“西潮”的结果是动摇了中国古典戏曲的统治,产生了话剧(起初叫新剧)这一取法西方戏剧的新型艺术,并确立了写实主义在戏剧文学创 The concept of “twice-westerly tide” in modern Chinese drama was first put forward and discussed in depth by the Taiwan dramatist Mason [1], which is now largely accepted by the academic community. Mr. Dong Jian, the drama historian, not only made a brilliant summary of his “two degrees of western tide ”, but also analyzed its similarities and differences with brilliant analyzes: the first “westward tide” occurred in the early 20th century “New Culture Movement before and after more than 20 years. The result of this ”wave of the west" has shaken the rule of Chinese classical operas and produced a new art of drama (originally called a new drama), a method of taking western drama, and established the realism in the literary creation of drama