战后苏联动画电影在创作上取得了巨大的成就。过去曾经有过一个时期,大多数的动画片之所以引人喜爱,与其说是由於影片的内容,还不如说是由於画出来的有趣人物能够做出各种活动。而现在优秀的动画作品却用非常形象的手段来处理对儿童观众来说是重要而有趣的主题。动画片已经成为现实主义的苏联电影艺术中一种独特的、完全有权存在的形式。动画片与电影的其他形式有着性质上的不同。它不能细致地表现出角色的精神生活,不能非常具体地表现真实的情景。但是它也有自己的优点。它可以让画家去自由地突出、强调和尽量夸张形象的重要特徵。此外,它不仅能体现出那些一直接产生於现实中的东西,而且还能体现出那些只存在於画家的幻想中的东西。 Soviet post-war animation films have made great achievements in the creation. In the past there was a time when most animations were appealing, not so much because of the content of the films, but rather because of the variety of activities that were possible with the drawn-up characters. And now the finest animated works use very vivid images to deal with topics of importance and interest to the children’s audience. Animation has become a unique and fully privileged form of realist Soviet cinema art. There is a qualitative difference between cartoons and other forms of the movie. It can not show the spiritual life of the character in detail, and can not represent the concrete scene in a very concrete way. But it also has its own advantages. It allows the artist to be free to highlight, emphasize and try to exaggerate the image of the important features. In addition, it not only reflects what has come directly from reality, but also reflects what exists only in the artist’s illusions.