近百年来,“舶来品”钢琴已完全融入我国艺术文化的发展中,但在专业教学上却仍以沿用西方体系与教材(曲目)为主,对此,学者们对钢琴教学民族化与建立中国钢琴学派等命题探讨热烈。本文将该命题作为理论基础,从更微观、更具象的角度出发,从以课程体系丰满理论知识、以教材建设夯实实践基础、以授课方式启发创新思维、以从教能力保障教学质量四个方面,阐述提高钢琴专业学生演绎中国作品能力的有效途径。 In recent centuries, “exotic ” piano has been fully integrated into the development of art and culture in our country. However, in the teaching of professionalism, the Western system and teaching materials (tracks) are still the mainstay. In this regard, The establishment of the Chinese Piano School and other topics discussed enthusiastically. In this paper, the proposition as a theoretical basis, from a more micro, more specific point of view, from the full theoretical knowledge of the curriculum system to lay a solid foundation for the construction of teaching materials, teaching methods to inspire innovative thinking in order to teach ability to protect the quality of teaching from four aspects, Describe an effective way to improve the ability of piano majors in interpreting Chinese works.