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对于大多数中国人来讲,奥斯瓦尔德·马蒂亚斯·翁格斯这个名字并不为人熟知,但在德国和欧洲地区,他是德国战后最重要的建筑师,也是德国新理性主义思潮的领军人物。其多产的一生为世人留下了大量伟大的建筑作品,他的创作思想深深影响了一大批欧洲建筑师。翁格斯的大多喜欢运用立方体等几何形体作为造型语汇,作品强调基于数字比例的严谨秩序,追求简化到极致的纯净形式,他的几所自宅尤其是后来的格拉斯舒特住宅和三号住宅都是他个人设计思想的最好体现。文章通过对格拉斯舒特住宅及三号住宅的对比分析,阐述了翁格斯追求纯粹几何形体的造型手法以及基于严谨数字比例的生成机制,探讨了背后蕴含的场所意义以及原型思想和古典精神。
For most Chinese, the name Oswald Mathias Ongs was unknown, but in Germany and Europe he was Germany’s most important architect after the war and Germany’s new rationality The leader of the ideological trend. His prolific life left a great deal of great architectural works for the world. His creative thinking deeply influenced a large number of European architects. Most of Ong’s likes to use geometric shapes such as cubes as stylistic vocabulary, emphasizing the strict order based on numerical proportions and pursuing simplification to the ultimate pure form. Some of his own homes, especially the later Grasset House and No. 3 House Are the best embodiment of his personal design ideas. By comparing and analyzing Graschut’s house and No.3 house, the article elaborates the modeling techniques of the pursuit of pure geometry by Ongs and the generation mechanism based on the rigorous numerical scale, and discusses the meaning of the place behind the prototype, the idea of the prototype and the classical spirit .