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读沈从文先生的小说,见他喜欢把女人写成是天神和魔鬼共同商量后的造物。我常疑惑不解,以为是作家的奇异之想。在电视连续剧《上海一家人》中,看到吴冕塑造的那个“放荡桂花”,才明白沈先生的神妖二字了。后来得知吴冕因此而获本年度金鹰奖最佳女配角奖,我想,这是当之无愧的,但多少又为这个演员惋惜,她把这个角色塑造得太出神入化,无形中断送了自己以后的戏路,如果还按此戏路走下去,形成自己的模式和套路,就很难再有大的飞跃了。正如斯琴高娃的“虎妞”、刘晓庆的“慈禧”,不管以后如何努力,都很难摆脱那两个角色的影子。在《92中国知青部落》开机仪式上,我第一
Read Shen Congwen’s novel, see he likes to write a woman is God and devil together to discuss the creation. I often puzzled, thought it was a writer’s singular thoughts. In the TV series “Shanghai Family”, I saw that “crowning osmanthus” created by Wu Mian only understood the word Shen Shen of Shen. Later, I learned that Wu Mian won the Golden Eagle Award for Best Supporting Actress this year. I think this is a well-deserved one, but how much I regret for this actress. She shaped this character so superb that she interrupted her in the future If you also follow this path to go down to form their own patterns and routine, it is difficult to have a big leap forward. Just as Siqin Gaowa’s “tiger girl,” Liu Xiaoqing’s “Empress”, no matter how hard later, it is difficult to get rid of the shadow of those two roles. In the 92 Chinese educated youth tribe, the opening ceremony, I first