印度蓝果丽地画与藏传佛教中的藏密彩砂皆属于曼荼罗艺术形态中的不同分支,两者的产生源于早期相同的宗教崇拜,其制作手法与图式形态都有类似之处。但在不同地域与宗教背景下的传播和演变过程中,其构成风格、纹饰特征、宗教功能都发生了较大的变化。本文试图对其产生的宗教渊源与图式特征做进一步的梳理和分析比较。 Both the Indian blueberry and the Tibetan Buddhism are different branches of the mandala art form, both of which originated from the same religious worship in the early days and were produced in the same way as the schema style Where. However, in the process of the dissemination and evolution under different regional and religious backgrounds, the compositional style, decorative features and religious functions have undergone great changes. This article attempts to further sort out and analyze the religious origin and schemata characteristics.