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根据在文学工作中的一些肤淺感受,我尝試写这么一篇文章,从自己的一管之見来談談辯証規律在艺术創造上的运用。用意完垒在于拋磚引王。 辯証規律貫穿于万事万物之間,这是我們所熟知的。那么,反映生活的艺术作品,要达到成熟的境界,要“臻于上乘”,作者不仅应該具备一切必需条件,以辯証唯物主义的观点来体驗、观察、研究事物,还应該自觉地在艺术創造上掌握运用辯証規律,这是自然不过的道理。清彻的池塘怎能不反映着太阳的影子呢?生机蓬勃的种子怎能不受到土壤里一切刺激生命成长的因素的影响呢?
Based on some superficial feelings in literary work, I try to write such an article to talk about the application of dialectic laws in art creation from my own opinions. Intention End is due to start throwing brick brick. Dialectical law runs through all things, this is what we are familiar with. So, to reflect the life of the art work, to reach the mature realm, to “get superior”, the author should not only have all the necessary conditions, the dialectical materialist point of view to experience, observe, study things, but also should be consciously It is only natural for the arts to master the use of dialectical laws. How can the clear pond not reflect the shadow of the sun? How vigorous seeds can not be affected by all the factors in the soil that stimulate the growth of life?