“法”在唐代对书法的统治虽然没有达到泛化的程度,但毕竟从一开始就取得了独尊地位并产生了整体效应,而这是在书史从没有出现过的现象。因此,我们虽然并未赞同以“法”来涵盖整个唐代书法,但“法”本身却无疑构成唐代书法的一个重要特征。无论如何,“法”的尊严在唐代是与儒学的整体复兴并构成精神文化领域的绝对统一相一致的。此外,初唐统治者北方关陇文化的趋古立场也构成“法”的一 Although the “law” did not achieve the generalization of calligraphy in the Tang Dynasty, it acquired the status of monopoly and the overall effect from the very beginning. This phenomenon has never happened in the history of books. Therefore, although we do not agree with the “law” to cover the entire Tang Dynasty calligraphy, but “Law” itself undoubtedly constitutes an important feature of the calligraphy of the Tang Dynasty. In any case, the dignity of the Fa in the Tang Dynasty coincided with the overall rejuvenation of Confucianism and the formation of an absolute unity in the spiritual and cultural fields. In addition, the ancient position of the Guanlong culture in the north of the rulers in the early Tang Dynasty also constituted one of the “laws”