论文部分内容阅读
中国现代美学是在介绍、学习、扬弃西方本体论美学的历史过程中逐步形成和走向成熟的。中国现代美学权力话语的历史轨迹可以表述为:境界说——王国维;文学(界)革命说——梁启超;美育说——蔡元培;价值说——朱光潜;反映说——蔡仪;社会观念说——吕荧;社会主体性说——李泽厚;个体主体性说——高尔泰。尽管中国的主体性美学没有西方语言美学的诗意浓烈,但同样是在本体论的意义上展开的人的美学。
Chinese modern aesthetics gradually formed and matured in the process of introducing, learning and abandoning the western ontological aesthetics. The Historical Track of Power Discourse in Modern Chinese Aesthetics Can Be Described as: State Realm - Wang Guowei; Literary Criticism of Revolutionary Theory - Liang Qichao; Aesthetic Education Theory - Cai Yuanpei; Value Theory - Zhu Guangqian; Reflected Talking - Cai Yi; Social Concept Said - Lu Ying; social subjectivity - Li Zehou; individual subjectivity - Gorty. Although China’s subjectivity aesthetics is not poetic in western language aesthetics, it is also aesthetics of man in the sense of ontology.