绝望—拯救—回归是都德(Daudet)小说创作中宗教主题变化发展的基本轨迹。由宗教仁爱思想所形成的故事格局在信仰迷失的具体语境中被肢解,朴实、秀美的故乡普罗旺斯却对应着昔日宁静安然、田园牧歌式的精神家园,回归自然的人类原欲便引发了作者超脱尘俗的梦想——而这既宣告了宗教文化传统中拯救主题的结束,也是它的延伸。 Despair - Salvation - Return is the basic trace of the development of the religious theme in the creation of Daudet novels. The story formed by the religious benevolence thought was mutilated in the specific context of lost faith. The simple and beautiful hometown of Provence corresponded to the peaceful and peaceful Pastoral pastoral homeland, and the human desire to return to nature led to the author Transcend secular dreams - and this not only declares the end of the salvation theme in the religious and cultural tradition but also an extension of it.