陆帕的作品《伐木》五一期间登陆天津、北京,获得一致赞誉,几乎鲜有批评的杂音。这样一出历时五小时,大部分依靠独白完成的另类作品竟得到国内观众如此积极的回应,令人惊讶。在我看来,这种统一的认可,最重要的原因在于:《伐木》极其深刻地抨击了“国家剧院”戏剧体制,道出了所有剧场同仁心中埋藏已久,想说却不敢 Lupa’s work “logging” landed in Tianjin and Beijing during May 1, winning unanimous praise with almost no criticism of murmurs. It was surprising that such an out of five hours lapped most of the alternative works that were completed on monologues to such a positive response from the domestic audience. In my opinion, the most important reason for this unification of recognition lies in the fact that “logging” has attacked the theater of “National Theater” extremely profoundly, saying that all the theater colleagues buried their heart for a long time, but did not dare to say