论文部分内容阅读
中午十二点,坐落于北京西长安街二号的国家大剧院食堂人声鼎沸,我和吕嘉的专访则在他的办公室一隅安静地进行。他的助手告诉我,吕嘉平时很少吃午餐,通常只是利用上下午排练间隙简单休息一下。让他全情投入的正是国家大剧院管弦乐团成立四年以来第一个集中发表的全年音乐季(2014-2015乐季),他希望通过自己的音乐理念为内地的古典音乐界树立起一种审美标准与规格。“我不想说自己要去传承古典音乐,但我会做一位古典音乐的捍卫者,通过国家大剧院管弦乐团在大剧院的这个平台,扎扎实实地做一些我力所能及的事情。”
At noon, the National Grand Theater canteens at No. 2 Chang’an Avenue, Beijing, were crowded, and my interviews with Lu Jia were quietly conducted in the corner of his office. His assistant told me that Lu Jiaping seldom had lunch, usually just taking a brief rest during the morning and afternoon rehearsal intervals. What made him fully involved was the first concentrated annual music season (2014-2015 season) since the National Center for the Performing orchestras was founded in four years. He hoped that through his music concept, he could establish the mainland classical music field Aesthetic standards and specifications. “I do not want to say that I am going to inherit classical music, but I will be a defender of classical music and do something within my power through this platform of the National Theater Orchestra at the Grand Theater.” "