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钢琴作为西方乐器传到我国后,我国音乐家们就开始学习西方传统音乐创作技法,试图寻找到与我国五声性民族音乐作曲的结合点,探寻我国钢琴作曲民族化的道路。建国以来,我国钢琴作曲创作不管在数量还是质量上,都比以前有所进步,音乐创作题材广泛、表现内容丰富,音乐既具有传统性又具有时代性,这些特征构成我国钢琴作曲的整体艺术特征。本文概述我国钢琴创作作曲技法追求民族化的特征,对建国后钢琴作曲整体特点进行分析与探讨。
After the piano came to our country as a western musical instrument, Chinese musicians began to study the western traditional music creation techniques, tried to find the combination with the five nationalities folk music in our country, and explored the nationalization of Chinese piano composition. Since the founding of the People’s Republic of China, the number of piano compositions in China has risen from the past in terms of both quantity and quality. The theme of music creation is extensive, with rich contents. The music is both traditional and contemporary. These features constitute the overall artistic characteristics of Chinese piano compositions . This article summarizes the characteristics of pursuit of nationalization of Chinese piano composition and composition techniques, and analyzes and discusses the overall characteristics of piano compositions after the founding of our nation.