画友从云南带回一扎腾冲手工皮纸相赠,遂作《岷峨山水册》二十页。试用新纸,颇感于效果与往日非一般,有感笔墨思想外的收获,虽非新题,却也有一番随想。腾冲手工皮纸,无网纹,纤维粗而糙,故柔性不足,韧性胜于宣纸。由于纤维粗糙,交叉错乱,纸面毛孔较宽大一些,故在作画时致使笔墨浸润不规则,流水性亦 Painter brought back a hand from Zhangtong hand-painted paper from Yunnan, then made “Min Shan Shan Shui” twenty pages. Trial of new paper, rather than the past and the effect of non-conventional effect, feeling outside the harvest of ink ideas, though not new, but also some thoughts. Tengchong handmade paper, no texture, rough and rough fibers, so lack of flexibility, toughness is better than Xuan paper. As the fiber rough, cross-confusion, the larger the paper pores, it caused the infiltration of pen and ink in the painting irregular, water flow is also