若说百年新诗是从胡适的白话诗开始的,那么从读到他的《蝴蝶》的第一句起,我们伸手便触及那只已挣脱年限樊笼的蝴蝶的翩动。蝴蝶翩动,诗意的,展开画面的,但应不全是符号行为化的颠覆。在这里,诗人只是借隐秘符号表达诗歌的革命信号。它应是有情致的、蕴含思想的,即可以让我们一伸手翻阅开一部中国洋洋百年诗史便有着诗行纠结命脉的纵深或是 If a century-old new poem begins with Hu Shi’s vernacular poems, then from the first sentence of his “butterfly,” we reach out to touch the butterfly that has nowhere to break away from the cage. Pina Pian move, poetic, expand the picture, but should not be completely subversive symbolic behavior. Here, the poet only uses the secret symbol to express the revolutionary signal of poetry. It should be both affectionate and thought-provoking, that is to say, we can reach out to the depths of the life cycle of the poetic line