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影像及网络这样的高科技并未解构传统文学作为艺术的永恒价值及其形式,因为作为文学的根本结构特征的语言并未改变。而这些高科技对文学的影响作用未必都是积极的,因为它们破坏了文学的“光晕”及自主性外观的整一性。数字化境遇下文学悖论的产生,即一方面是传统文学的冷落,另一方面则是消费文学大众参预的空前活跃,其原因就在于大众试图在消解自我的网络上确认自我。
High-tech images and networks do not deconstruct traditional etymology as the eternal value of art and its form, as the language that characterizes the fundamental structure of literature has not changed. The influence of these high technologies on literature may not always be positive because they undermine the integrity of the “halo” of literature and the appearance of autonomy. The emergence of literary paradox in the digital context, that is, the neglect of traditional literature on the one hand, and the unprecedented active participation of the consumer literature public in the digital context, is that the general public is trying to identify themselves on the network of self-digestion.