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按理说,审美情趣本是人人都有的,不过有高有低有健康和不健康之别罢了。编辑的审美情趣乃是编辑学识修养的外现。它又与编辑的个性直接相连。编辑的学识修养不同,各人的审美情趣自然也就不同。即使处于同一层次的审美情趣,也会因编辑个性的不同而呈现不同的面貌。对于一般读者来说,审美情趣如何也许只是个人爱好的问题,自应允许有充分的自由空间,可是,对于作者和编辑者来说,其个人的审美情趣的高低却直接影响着作品的质量档次,以及刊物的社会信誉。所以,作为编辑,不仅应当有自己审美情趣,
Logically speaking, the aesthetic taste of this is that everyone has, but there are high and low health and unhealthy distinction. The aesthetic taste of editors is the external appearance of editing and self-cultivation. It is directly linked to the editor’s personality. Edit different levels of self-cultivation, each of the natural aesthetic taste is different. Even at the same level of aesthetic taste, but also because of the different editors show a different look. For the average reader, how aesthetic taste may only be a matter of personal preference, since it should allow sufficient free space, but for the author and editor, the level of his personal aesthetic taste has a direct impact on the quality of the work , As well as the social credibility of the publication. Therefore, as an editor, not only should have their own aesthetic taste,