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我国非物质文化遗产形式多种多样,但很多传统工艺、文化形式不能及时的得到保护和发展,传承与创新面临着严峻的挑战。纪录片因其特性成为了传承和保护非物质文化遗产的一种有效手段。笔者通过一年以来对南充丝绸的记录对非遗类纪录片的拍摄进行了总结,以制作的非遗类纪录片《绸都·丝韵》为例从真实性、客观性以及艺术性等方面展开对非遗类纪录片创作的讨论分析。
There are many forms of intangible cultural heritage in our country, but many traditional crafts and cultural forms can not be protected and developed in time. Inheritance and innovation face severe challenges. Documentary because of its characteristics has become an effective means of heritage and protection of intangible cultural heritage. Through a year’s review of the records of Nanchong Silk, the author summarizes the filming of non-mythical documentaries. Taking the non-mythical documentary “Silk, Silk and Silk Charm” as an example, the author proceeds from the aspects of authenticity, objectivity and artisticness Discussion and Analysis of the Documentary Creation of.